Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
Pa a un in Persian absconds law the muhammedanska cities Hormone dar they three Polo did one interlude
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ID: 49618

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unknow artist Pa a un in Persian absconds law the muhammedanska cities Hormone dar they three Polo did one interlude


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unknow artist

  Related Paintings of unknow artist :. | Seascape, boats, ships and warships. 47 | Badende Frauen in einer Grotte an der Mittelmeerkuste. | Arab or Arabic people and life. Orientalism oil paintings 267 | Arab or Arabic people and life. Orientalism oil paintings 155 | Arab or Arabic people and life. Orientalism oil paintings 291 |
Related Artists:
Christoph Nathe
German, 1753-1806
favas

Mark Gertler
British 1891-1939 Mark Gertler Gallery English painter. He was the son of Polish Jews and was brought up in Whitechapel in severe poverty until his father furrier workshop became moderately successful. As a child he knew nothing of art except advertisements and the work of pavement artists. He was 14 before he heard of any art institutions, and his career was determined by the discovery of W. P. Frith Autobiography in a secondhand bookshop. In 1906 he began attending art classes at the Regent Street Polytechnic in London, as well as a series of talks on Dutch and Flemish painting. His earliest still-lifes show the influence of Dutch 17th-century painting and the work of Chardin. Gertler left the Polytechnic for financial reasons in 1907 and apprenticed himself to Clayton and Bell, a firm of glass painters. In 1908 he won a prize in a national art competition and, on the strength of this, successfully applied for financial assistance from the Jewish Educational Aid Society, using William Rothenstein as a referee. That autumn he entered the Slade School of Fine Art, where he was taught by Henry Tonks and Philip Wilson Steer. He won several prizes and scholarships and fell in love with Dora Carrington. This and other friendships established at the Slade introduced him into a society that gave him a new perspective on his own family background. While writing delightedly to others of his nice friends among the upper classes, his paintings






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